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This multichannel electroacoustic composition is a study based on my own tenor saxophone playing and it explores the perceptual boundaries between the acoustic and electronic domain. Acoustic sources are mixed with processed sounds resulting from different techniques of analysis and resynthesis. The first part of the piece focuses on sonic textures made by multiphonics, breath-noise, and subtones. Whereas the second part of the work enacts a more dynamic scenario, assembling slap-tones and other rapidly articulated sounds. This idea of a hybrid sonic world where technology is the virus that infects my acoustic instrument it’s inspired by the art of David Cronenberg.
released March 20, 2020
Composed by Laura Agnusdei, 2017/2018
originally for a 9 speakers system